Tuesday, December 30, 2014

revised edition | link

Dear friends, readers and supporters

 I am currently working on a revised version of  'the last canvas'
turning chapters into shorter and juicier episodes, 
that can be read even on smartphones and tablets.

The updates to 'Laurent under the sun' will be posted in the new site, where
there are more details and new, bigger pictures, as you can check @

http://lutsepisodes.blogspot.com.br/


Thank you.




Wednesday, December 10, 2014

Revised edition

Please bear with me as I haven't posted an update this month yet.

I am currently revising 'the last canvas', turning the rather long chapter into shorter episodes, that can be read on smartphones and tablets too. Though shorter in number of images, the episodes do contain more details than I originally posted, as the intimacy with my characters and their stories has grown over time. 

If you have already read the past version, don't worry -- the plot remains the same.

I intend to join 'the last canvas' and 'Laurent under the sun' in one blog only, that of the shorter, smarter and more dynamic episodes. You can visit it by clicking the banner below.

For the updates on this 'Laurent under the sun', that should start again in January, when the two blogs should be joined and revised already, please click on the banner below, too.

Thank you for being there and reading my story.

With more details and new, bigger pictures, you can check it @

http://lutsepisodes.blogspot.com.br/


Thank you.



Wednesday, November 5, 2014

chapter 15 conclusion





EPISODE 39





I thought I understood why my uncle Armand had chosen that island. Not just because it lied farther apart from the others, but because it was located on one of the rare blind spots on Earth for communication signals. I had already checked  -- more than once -- for an internet signal, and there was none.

Thinking of Angelo was making me miserable -- and horny, too, I have to confess. My determination to fasten sexually included not masturbating, and I was made restless. 

Though my instructions about not running away from my own emotions had been clear, and I should concentrate on my breathing while trying to observe my feelings and thoughts like they belonged to some character in a movie, I'd rather seek some distraction. 





It was two thirty in the morning. How many hours had I been lying in bed already, without being able to even nap? 

Maybe Fabrizio had written something else, and when I finally gave up trying to connect to the internet, I reread his last message.

"The crossing has begun." -- it was more concise than a haiku, and not very satisfying when I was feeling lonely.

I had decided not to encourage him. Not until he definitely quit his fianceé, Andara. In that new period of my life, when I was trying to make my own crossing, full of commitments mainly on what not to do, I had promised myself I was not going to be his lover. No matter how good looking he was. No matter how magically we had connected. No matter all the coincidences and preferences that we shared -- no matter how unique a love relationship between us might have been.

I wondered what the "crossing" might mean for him. The odds were that, if he was keeping me informed about it, I might be on the other margin of the river of his life. But what if he was simply counting on me like a friend -- the only guy to whom he had opened up? What if I was alone in that romantic reverie, and Fabrizio was not thinking of me like I was, aiming at love? 

Sometimes, I tried to pretend to myself I couldn't care less -- but the truth is, it would not be so easy to give up on him and ignore his presence on this planet, when I thought Fabrizio might be l'homme de ma vie

Just like, two decades earlier, I had thought Angelo was it, too. 

And how wrong I was.




No, I wasn't wrong. 

Angelo had indeed been the man of my life. And he would still be, hadn't he dumped me. And maybe I had been the man of his life, too. He had cheated on me with several guys, but he always returned. And when he left me, it was for a woman.

On that night in Sweden, it dawned upon me that I was trying to replace Angelo with Fabrizio. It was so wicked, and I blushed at the thought. Freud might have explained the fact that the men I had fallen in love for were two Italian hunks, exactly like Carlo was? Had I tried to replace my father with Angelo? Yes, I probably had. The abandonment I felt, the rejection and silence coming from Carlo, how defenseless I had been, and how it led to my personal tragedy. 




Mérde. I had used Angelo. I might retell the story to give the impression that he used me -- and he did, oh yes did! But for the first time I realized I had also used him -- to hide the hollow left by my father's abandonment. And the question seemed to be... Why did I need a man in my life to fill in the gap? And what gap was that? Because it was a hollowness I could not masquerade, no matter how many lovers.   

I had come to loathe him, to despise him, to wish him bad -- Angelo had been the man of my life, and he was still occupying that place. No, his place was not left vacant. Hatred had taken the space of love. That's how I had kept my heart busy all over the years. 

And that's why Fabrizio could not enter my life, not yet. Not because my bed had been full of men. My broken heart was still taken. 

By one man.




At eighteen years old, I was so sure that Angelo was and would forever be the man of my life -- and the love I felt for him gave me the strength to finally decide to join him on that adventure of living abroad.

The hardest part was telling Catherine about my decision, and asking for her financial support.

Angelo and I had discussed about the best moment and how to approach her. I wanted to be diplomatic and careful, while he thought I should be bold.

Now, at the door of Catherine's studio, that I had rarely entered, I tried to brace myself.

She had converted Carlo's studio into her own writing corner -- and if once I had been an habitué at my father's studio, I was banned from my mother's office. Not that she forbid me to go there, but I sensed I wasn't welcome. She did not like interruptions when she was immersed in her creative process.




It was awkward how swiftly Carlo's presence had been erased from our house. Apart from the three portraits in the upper floor, the pool was the only thing that indicated that he had lived there. His name was never mentioned, neither by Catherine nor me. Just like Angelo, Edoardo must have known about my father, but they too had decided to ignore him.

I hadn't quarreled with Edoardo for days. Not because I had not had reasons to -- I would have punched him everyday, if I could. I felt inexplicably violent in his presence. But once I decided to leave France with Angelo, I knew I would have to be nicer to him to at least please my mother. 

Another reason for our truce was that my boyfriend needed his father's money.

That was the preamble before I knocked at Catherine's office door, on a morning by the end of Spring. I had been consulting with the cherry tree, but when the petals had all fallen and the signs of the first fruits appeared, I knew my time with my mother had arrived.




I knocked once, twice, and not until the third time did Catherine's eyes leave the computer screen. She bent her head and just looked at me, for a whole minute perhaps, before summoning me into the office with a very charming smile. And I knew, from years of experience, that her smile was not addressed at me, though she had recognized her own son, but at her text. She might be satisfied with something she had just written.

'I just need a minute or two to finish a paragraph, mon cher.'

 Like my father, I am not good at numbers, and I might lose track of time. But I thought I had overheard my mother, and instead of minutes she had said hours, because it took her half an hour to again talk to me.

'So, why have you decided to honor my studio with your presence?' -- my mother said, as she stood up. And she wasn't being ironic. 




Catherine was in a good mood. Maybe it was my informal peace treaty with Edoardo that was pleasing her. But not just that. She was prettier, too. Since Edoardo had moved in with us, she was always wearing nice clothes, jewelry and perfume, even if she was not going out. I had to recognize it -- no matter how I loathed him, Edoardo was making Catherine happy.

'You don't come here much, do you, Laurent? You should come around more often. There are many books here you could benefit from! Instead of listening to that kind of music...'

Catherine was talking about the songs I listened to with Angelo, in our room. Grunge, and all that noisy, dirty stuff I have never heard again since we broke up. It was 1993. Radiohead -- one of the few bands Angelo and I agreed about -- had just released "Pablo Honey", their first album. Together, we would sing "Creep", with lyrics I had immediately related to, and "Blow Out" -- the loudest we could, and scream along Thom Yorke at "You".

Catherine's remark surprised me. Angelo and I weren't even allowed to use the swimming pool when she was in the studio. It seemed as teenagers we were treated like inconvenient children, because we would be using the trampoline to compete for the biggest splash, running around screaming -- things we were allowed to do only when the adults were not home. We could sun bathe, that's all we were allowed to, when Catherine was in her studio, and without any background music.




'What is that shirt, honey?' -- my mother asked. It had taken her a few minutes to land at the studio, after she had finished writing. I knew exactly how that was like. When writing, it was if her contact with the real world diminished. During the creation of her first historical romance, she had been so immersed in the times of horses and carriages that I thought we were going to suffer an accident whenever she drove her car. And she had screamed at me once, "Mon Dieu, Laurent! Do want to kill me? What is that noise?", when I had used the blender. "How have we come to that?" she asked, looking horrified both at me and the device. I had felt so inappropriate.

'Angelo gave it to me.' -- Angelo and I had thought that using an American football t-shirt was a good introduction, and I was glad that Catherine had noticed it right away.

'You look so different, Laurent... You have... bloomed!' -- probably, Catherine was comparing my image to the last time she had seen me against the same background... and when was it that I had last entered her studio? Never in Angelo's company, though he had been there a few times, invited by my mother. At least three, maybe even four years before. And since then, I had "bloomed" indeed.

'Well, thank you mom, I guess...' -- it could also be that, since school had finished, Angelo and I were dedicating our long and boring days mostly to cultivating muscles, and it showed already.




'I don't like that t-shirt on you.' -- my heart skipped a beat when she disapproved the first part of our plan -- 'But I am happy to hear it was a present from Angelo.' -- in respect for Edoardo, she had never again referred to Angelo as my boyfriend. Though she wouldn't tolerate any homophobic remark coming from Edoardo, not even about stuff they watched on TV or read in the newspapers, mainly about Aids.

'Respect, my love' -- she had recommended him -- 'Because I know you enjoy being treated with respect.' -- and Edoardo did respect Catherine. And obeyed her, too.

Catherine was also referring to the fact that it was usually the other way around -- I was the one giving presents to Angelo. I would often ask Catherine, when she went to Belgium, to buy this or that to give to my boyfriend. But because he and his father were in such a poor financial condition, Angelo couldn't quite reciprocate. 




'Catherine...' -- I don't know when I started calling her more by the name and less by her motherly function. Maybe after Angelo -- 'I have something to tell you.'

'Let's sit, then. Do I have to worry about what you are going to tell me? Are you ill or something?'

'No!' -- I knew she was thinking about Aids, because I was always thinking about it too. What if I had contracted it? I had never tested, yet, Angelo and I were not using condoms -- 'It's just that... I want to go to the United States.' -- I blurted. Having rehearsed several approaches with Angelo, I did not recall any.

'Oh!' -- Catherine raised her eyebrows and was thoughtful for a moment -- 'Now that you have finished school, traveling would certainly do you good... But why not go on vacations to Greece? Or even Paris... I think you could profit from Paris now that you are eighteen, Laurent... Though I don't think your grandmother would host you... Anyways, why the United States, mon cher? Was it Angelo's idea?' -- she was aware of his fixation for the US.




'It's not on holidays, mom...' -- I braced myself -- 'I... We...' -- I could not avoid it, I needed my boyfriend's strength to aid me in such difficult situations -- '...want to live there.' 




Catherine gasped.

'I don't think I understand it, Laurent.' -- and she was suddenly very serious. And a bit upset, too. It was noticeable by the way she had twisted the corners of her mouth.

I tried to explain myself as best as I could. But talking to her about America, Vice City, university, Journalism... It all seemed nonsense to me.

'Why would you want to study Journalism, Laurent?'




'Because...' -- Angelo chose it, I wanted to confess. Because it is his path to success, and I just want to follow him -- '...I want to be a writer myself!'

'Don't you think you should study Literature instead, darling?'

'Oh no, that sounds...' -- I almost said "boring", which was Angelo's opinion about the subject my mother taught in Belgium -- 'too serious!'

'Then you don't want to be a serious writer, is that right?'

I was at loss. Maybe I should have used "boring" after all, because it was justifiable that I did not want to become a boring writer.




'And why America? Why not Paris? Or even Belgium, Laurent? I could recommend you...'

I dreamed of Paris. But my life was Angelo. I knew Catherine understood perfectly well why I had chosen America, but she wanted to hear it from me. Maybe she also wanted to give myself the chance to listen to my words and realize my own foolishness. I engaged in an explanation that promoted America like the country of the future and the land of opportunities, while it buried France and Europe in the past, exactly like I had heard from Angelo.




'You really love this boy, don't you, Laurent?'

'I do, mom, I do.'

'So much that you want to follow him into his dreams?'

'Yes, Catherine. That much!'

'Wouldn't you rather pursue your own dreams, Laurent?'

'I don't think I have any, mom...'




I had not expected it would be such a difficult conversation. I had suffered years of silent agony, thinking I would die to my mother's heart when she learned about my sexuality... But instead, she had welcomed and accepted it at once, and in doing so, pacified me. My revelation had been filtered first through her intellectuality, and once thus understood and acknowledged, she was perfectly willing to honor me as gay. It had even brought a major turn in her literary career, when she had started including a gay character in each of her novels. Sometimes, they were as remarkable as her heroines, and she never made these guys her protagonists just because female main characters were her distinctive mark. 

And to something much more simple like living abroad, and that hadn't make me suffer much, she had so many doubts and so many questions.




'America, Laurent?' -- she raised her eyebrows in dismay -- 'What do you intend to do in that country... Apart from studying... Journalism to become... a writer?' -- she emphasized the contradiction.

Angelo had trained me well on that.

'Dickens was a journalist before he became a novelist. And so was Mark Twain, and Hemingway, and Truman Capote and...' -- but at each name I mentioned from the list I had memorized, Catherine's look of consternation only worsened -- 'And there is Tom Wolfe...' -- we knew we couldn't mention just dead people, and a living success might impress Catherine -- 'And Ken Follet...'

With a gesture, my mother dismissed all her North American colleagues.




'I can see Angelo there, but you? I can see him wearing this t-shirt and even becoming a professional football player... But you, in America? Aren't you going to lose yourself, Laurent?'

'I won't become a cheer leader just to accompany Angelo... I don't believe I am a transsexual, mom...' -- and I laughed at my own joke.

'That's rather gross from you.' -- Catherine cut me short -- 'I don't believe you are down rating someone based on gender, Laurent! Don't be disrespectful! Or are you homophobic?'

'How can I be homophobic if I am...' -- and I realized I had to struggle to say the word -- 'gay?' -- I did not know any other gay men, then, and I was frightened by what I saw in movies like Querelle, L'homme blessé and Les Nuits Fauves, that Cyril Collard had released just the previous year. 

'Many gay men are homophobic. Especially the closeted.' -- Catherine remarked, and again grew silent. I then understood she was not answering the question she had addressed me. I would have to answer it throughout my own life. 




'Do you sometimes consider that Angelo might be abusing you just because you love him so much?'

'He has never abused me, Catherine!' -- I objected. In fact, I almost reprimanded my mother for her remark.

'I don't mean sexually. Of course not. I know you are in charge there. You are still in charge of it, aren't you, Laurent?' -- I did not respond, and she moved on -- 'I mean... emotionally. Sometimes I wonder whether this relationship is doing you any good, Laurent.'

'He is all I have, mother.' -- I pleaded -- 'Will you please help him?'

'Laurent, please! Don't be melodramatic. But... I hadn't seen this coming. I can't promise you anything right now... Does Edoardo know about your decision?'

'No mom, please don't tell him!'

'But Laurent... he has to know what you boys are planning.'

Angelo would be talking to his father that same day. Perhaps, they were talking at that very moment. But cautiously, we had decided to keep me out of his communication to his father. Edoardo was against our relationship, and at first he might agree with Angelo living abroad just to separate us. I feared Catherine wouldn't co-opt in hiding it from her own partner, but we wanted her to keep my decision a secret at least until our trip was set. In reality there was no chance, since the preparations would take almost a year.

'Angelo will tell him. But Edoardo...' -- "hates me", I was going to say -- 'can't know about my decision, not yet... Please, Catherine!'




'So... it is a decision you are communicating, Laurent?' -- Catherine smiled -- 'You are not asking my permission, are you?' 

I was embarrassed.

'I know, mon cher. You think you don't need my permission, but you still need me for your decision, don't you?' -- she made a gesture that implied she was talking about money.

'Mom, I am sorry... I...' I had taken her financial support for granted.

'Let's hope America will eradicate this awful habit that you have... Will you take your feet down, Laurent?' 

'Oh, I am sorry...' -- I then realized my tennis shoes on Catherine's beautiful sofa --  'And...' -- had that been a "yes"? Through her remark America will change me?

'Don't worry, Laurent. We will talk about this again. But not today.' -- Catherine let out a loud sigh -- 'A non-serious writer in America. Who would have thought of that?'  -- she shook her head -- 'I think I need time to rest now. Will you excuse me?'




Later, I lied to Angelo about my conversation with Catherine, to shine some hope onto our plans. Edoardo had refused to help his son.

That was a strange symmetry between us. Angelo had always felt loved by his mother, while I struggled to obtain Catherine's approval and recognition -- I won't even say love.

But my problems with Catherine were little compared to how Edoardo mistreated his son. My mother might have been cold and distant with me, but Edoardo thoroughly disrespected Angelo. While I had never experienced anything like that from Carlo, who had always been considerate and attentive and caring -- loving, indeed.

'Find a job.' -- Edoardo told Angelo, when he refused to help.

Not a serious suggestion, it was just Edoardo's way of keeping Angelo around. Truth is, he did not want to part from his son. He knew it would take anyone ages, working as a waiter, to gather money to buy an airplane ticket and pay the application fees, tuition and have enough for the first couple of months in America, before Angelo found yet another job there. Even if he won a full scholarship, like he later would, Angelo would still need financial support.




Edoardo had justified he couldn't help his son because he needed the money to open his restaurant.

But after three years of procrastination, we knew it wasn't true. Edoardo was always trying new recipes and improving the classical ones -- that was the reason why he couldn't accomplish a menu. He had found a few places where he thought he could open up shop, but he would always find this or that obstruction and again give up. 

We knew it wasn't going to happen. The project of a restaurant was the restaurant itself, all that was ever going to exist. We knew it -- and I wanted to shout it out at Edoardo, whom I regarded as a complete failure. How could my mother have complained about my father, when Carlo's paintings had become a commercial hit? How could she instead love Edoardo, an opportunist who actually depended on her money? Carlo had built a swimming pool for our home -- Edoardo couldn't afford building a pit.

'He is my father, Laurent. He is the only relative I can depend on. Don't ruin everything, please. I have my own ways with him. He will help me, you will see.'

*****



A couple of weeks went by. One evening, when we thought Edoardo was in bed already, he came down to catch Angelo and I in the living room. We were dressed and just kissing, trying to divert from the disappointment of not getting any further with our plans. 

'Madonna mia, this is a shame!' -- and once he started bailing about sin and all the catholic prejudice I couldn't stand, I lost my temper.

'I won't allow you to say what is a shame or not in my own house, Edoardo.' -- I tried reasoning with him at first.

'This is Catherine's house, Laurente.' -- he made my name sound like a slap. 'This is not your house.'




'Fuck you! This is my house much more than yours! You are a guest here.' -- and I immediately recalled Catherine saying that we should be especially kind and polite with our guests. I had no problem being nice to Mr. Chabrol and Mr. Resnais, for instance, but I couldn't include Edoardo in the respectable category. Still, I decided to quit that line of attack. In fact, the whole attack, by just dismissing him -- 'I don't care what you think!'

'Yes, you have to care. Because you are going to hell!'

Sometimes I thought Edoardo was really silly. Why didn't he take the chance to end an argument when I'd propitiate it to him? Since he insisted in quarreling, I was going to retort how primitive his prejudices were, and that instead he should go to hell.




'No.' -- suddenly, I felt calm. I did not want to swear anymore. I had found the perfect response -- 'I am not going to hell. This is hell, already. I will actually be going away from hell. Do you understand, Edoardo? You are hell, for me. Hell is where you are. Capisce?' -- I knew that, if I wanted to deliver a blow on Edoardo, I'd have to speak Italian with him. Angelo had long ago stopped translating our discussions -- 'Tu sei l'inferno, Edoardo! Capisce?' 

It had the desired effect on Edoardo, who just gulped, swallowing my words. He was motionless for a moment, then he backed up, and staring down he left the room.

'Io sono felice da te lasciare, Edoardo.' -- and I did not care whether it was grammatically correct, as long as it sounded Italian -- 'E di non te vedere mai! Mai più!' -- I added, though I knew I had hurt him already.

'Enough, Laurent.' -- I heard Angelo behind me.




'You are a lame gigolo, Edoardo! You should be happy that you will be left alone to use my mother as you want...' -- I shout after him.

'Shut up, Laurent!' -- I heard from behind me.

Edoardo hadn't answered my comment. He was already heading upstairs, and he probably did not understand my remark, since I had done it in French, spitting the words. And I have to confess I wasn't aiming it at Edoardo.




'Fuck you Laurent!' -- Angelo exploded. 

I knew it. Humiliating Edoardo when it came to money, I was also humiliating Angelo. And for days after that, Angelo did not speak to me, and in the evenings he occupied the little room next to the studio, just like Carlo had when he quarreled with Catherine.


*****




When my mother once more came back from Belgium, she found the house silent; the three men in it exhausted and exsangue, dead one to another like victims of a war that had finally ended. With no winners.

Entrenched in my pride and self righteousnessI never apologized to Angelo for that humiliation. It's one of those episodes that remained unsolved and unspoken between us.



And from then on, I started ignoring Edoardo. It only caused further distress and severance in our household, and led to Angelo's desperation and sense of isolation.

Surprisingly, I would still have a chance to become closer to my boyfriend's father, before we left France. 

In fact, having Angelo's death in perspective almost led me to make peace with Edoardo. 









Wednesday, October 1, 2014

chapter 15, continued






EPISODE 38






Between Angelo and me there were coincidences and convergences which, ultimately, were circumstantial. But there were also differences and contrasts -- that were fundamental. And that is why our love was not destined to last.

With Edoardo, the only thing I had in common were Angelo and Catherine. And how we competed for them, specially for her. As for the rest, we were opposites in everything. If I was slightly feminine, he was totally masculine. In our fights, I would have to scream louder to try to cover his resounding, baritone voice. I often regretted my high, girly pitch, feeling I was losing my arguments just because of that. I was indecisive, soft and thoughtful, a teenager experimenting with my opinions and values, while Edoardo -- except  when it came to opening his restaurant -- was very assertive and righteous, fixed in his ideals, beliefs and judgments.



I fought Edoardo like a plague, as if he was an aberration -- because, in fact, I sensed he regarded me and my love for his son as the aberration. 

I was often, if not always, overreacting. I now know it, but I thought I was just defending myself from an adult bully that had entered my household. I won't tolerate being abused in my own house, I kept telling to myself. 

It was never openly mentioned, but there was this expectation that he should act like my stepfather. But I never wanted him to.  My father was not dead, not that I knew -- Carlo had just vanished. Edoardo's presence in my house not only aggravated my resentment  towards Carlo, for having abandoned me, but it was enough to trigger revolt and a sense of justice in me.

Carlo and Edoardo could never have been more different. Where Carlo had been gentle and caring, Edoardo was strict and arrogant. Angelo was often lowering his head at Edoardo's shouts of reprimand, while I usually fought him back.



'Why don't you fight Edoardo back with me, Angelo? You are always submitting...'

'Because I need his aid to go to the US. Where else will I get the money? Will you give me that money, Laurent? Are you going to pay for my ticket and expenses?' -- and once Angelo had suggested that, the seed stayed with me to first sprout like a challenge, and then to become a plan -- 'Because if you are, then you'll have me on your side.' 

I did not feel like I was being manipulated, instead, I felt I had a place in his life, that I was important to him.

And Angelo was usually on my side, I have to say. He might not have been faithful to me, but he was loyal. At school, when he got picked for a group, he would usually bring me with him, too. It became an unspoken agreement with our colleagues -- if you want Angelo, you will have to take Laurent, too. Every now and then, I would be picked before him, if we were forming study groups. But when it came down to sports, my notorious clumsiness with a ball would always leave me out. 



When the other kids understood what the deal was, they left Angelo for the end, to be last to complete the team, so that he could not pick me. Once, realizing what was happening, he simply enacted a stomach ache and left the gym, calling me to aid him.

'We are going to teach those bastards a lesson, Laurent! You and I, we are the team. They are the rest, isn't it so?'

Was Angelo being sincere about us? Sometimes, I am inclined to think so. Other times, I have to guess it was just another way of seducing me into his plans of going to the US.

He had already made up his mind -- he just had to convince me to join him. He had extensively spoken to Catherine, and instead of joining a Literature faculty, they had agreed that Journalism and Communications was more his field. And that's how I ended up at the Journalism School in Vice City -- I did not get to chose anything, just to follow Angelo.

But my decision took time.

'Are you coming or not?' -- he had been asking me for some time already, and then it turned into  -- 'Are you joining me or not?'



Every once in a while, Edoardo tried to be nice to me.

'What can I cook for you, Laurente?'

'I don't know.' -- I wanted to tell him to just pronounce my name properly, that would do -- 'Whatever.'

Why care, indeed? He was always cooking pasta the Italian way, and I did not like it the least.

'Thank you for being kind to Edoardo, Laurent.' -- and I knew Catherine must have been thanking Edoardo for trying to be nice to me, too. Just because of her, we tried to make a convivial effort -- 'It makes me really happy to see the two of you getting along.'



Indeed, I had never seen Catherine any happier. She was looking prettier and dressing even better because of Edoardo's presence in our house and in her life. I had never seen her kissing Carlo, and though I had witnessed her kissing another man, seeing her was always kind of shocking and stirred difficult emotions in me.  Why couldn't she have been like that with my father? But with time, and observing how Edoardo grabbed her waist and held her tight and was often making her sit on his lap and constantly kissing her -- I started wondering if it might not have been Carlo's own fault, that Catherine had lost interest in him. 
'But could you try to show some interest for Edoardo's things, Laurent?' -- Catherine had suggested -- 'I know he misses that from you...'

'You mean... His cooking?' -- because his interests seemed to be limited to the kitchen, and limited to Italian dishes. Latter, he would start preparing ossobuco and other stuff that he considered delicacies, but that I thought were quite heavy -- 'I think I have taken at you, Catherine...' -- and by that I meant that my mother and the kitchen had always been worlds apart... Until she met Edoardo, whom she followed into the kitchen, often staying at his side while he cooked, while she read a book -- 'But I shall try!' -- I gave my mother the answer she had wanted, and off she went, satisfied with me. I knew I was being a hypocrite, but I did not care as long as I had my mother's approval.



But I was also increasingly concerned about Edoardo's drinking habits, and how they were affecting Catherine.

'Will you help me drink this one until the end?' -- he would invite my mother. And maybe that would have been the second bottle of wine already, and they might open a third to share. Angelo and I weren't allowed to drink, nor did we want to. I'd rather have my soft drinks than wine, and Angelo had suffered too long from his father's alcoholism, because I think we can call it that, to be interested himself in drinking. Later, he would experiment with drugs in Vice City, but not with alcohol.



'Sometimes, he would vanish.' -- Angelo was telling me about the time when they had lived in Vice City -- 'For days, perhaps. Specially when my mother had a new crisis. I know he had to make difficult decisions and take responsibilities, and how that must have been stressful for him. But why did he have to drink to escape them? A new surgery, that would put my mother's life at risk but that at the same time could save her? She was often too sedated to take part in the decision, and I had no right to say anything. My father had to take it all. And he would then disappear, be it before or after the surgery, once he had decided for it. The situation was hard enough on me, but without my father is was even worse. Sometimes, I'd skip school to stay with my mother at the hospital, where my father wouldn't show up for days. The doctors and nurses were specially nice, bringing all sorts of foods and drinks from the vending machines for me, since they knew I could not afford it. There was even a therapist giving informal, free sessions for me, and it took me a while to realize she a psychologist. I was being taken care of, if by strangers. I don't know where did my father go when he would vanish, what did he drink. I just knew he was drinking. At least he always had the decency to show up sober at the hospital, often looking like a wreck, stinking to liquor and in rags, as if he had been sleeping on the streets, and with terrible hangovers -- but sober.'



I was always impressed with how much Angelo had already experienced. And touched, that it had been at such a tender age. I admired his strength. His mother had died when he was just thirteen, and I could only imagine how torturing it must have been to be left alone with a sick and dying mother at a hospital at the age of eleven, twelve. 

I was being bullied at that age, but now that it was over, it did not seem as tragic as Angelo's experiences, and I was ashamed to share it with him.  I felt I had been a voluntary victim while I had suffered it in silence, a coward for not fighting it back from the start. Angelo had been an involuntary victim, and although he had been a brave boy, his mother's terminal disease was not something he could fight for. 

And there was certainly no point -- and no reason for him -- to fight his father.



I wasn't more concerned about how Edoardo and Catherine were often getting drunk because it seemed to do them more good than bad. And by that I mean that Edoardo, when stuffed with liquor, did not get more irascible than he already was -- quite on the contrary, he would get foolishly sentimental and even depressive, while Catherine was made silent, drowning in her own thoughts. I was just a teenager, and the love of an adult couple seemed very heavy and complicated to me. I would have my fights with Angelo -- but next we would be dancing and singing together, or running screaming through the woods, until "The Sources" where we could have sex and be as loud as we wanted. But both Catherine and Edoardo had had their sharing of suffering in the past, and sometimes it seemed too much for them to bear -- it had broken my heart to see them hugging and crying in each other's arms, once. I wonder whether they already knew about Edoardo's degenerative condition, and the disease that would kill him in less than a decade. 

There was something else. Edoardo was really taking his time and presence in our house to experiment and develop new recipes -- and that's how Angelo and I became the receptacle of both Catherine's developing plots and Edoardo's culinary experimentation. It might have been pleasurable, if it hadn't been oppressing.



As we grew up, the house became a prison to us. Even my room seemed too small. When we thought of Angelo moving in, we fantasized about having sex daily -- even before breakfast. But with our parents in the room next to us, we were always  trying to muffle the sounds of our love making -- Angelo wouldn't moan any more like he enjoyed to, and consequently I wouldn't be as excited. Even how our bodies collided, we felt we had to soften that too.

We liberated ourselves only at "The Sources", but even there we were afraid Edoardo would follow and surprise us.



Like Carlo before, Edoardo stayed home almost every day. He wasn't really looking for a place to open his restaurant any longer. Why should he, when at home he could cook without any pressure, and still have Catherine pay for his expenses and continuously congratulate him on his preparations?

Angelo was not concerned with the situation. He thought his father was saving their money for his trip to the US. Angelo would do everything to obtain a scholarship, which in fact he latter did, but he still needed money for the expenses of living in such a cosmopolitan town like Vice City.



All to myself, I had been brooding the idea of moving to Paris, instead of Vice City.

'Paris? It lives from glories of the past! And I am fed up with the past! The past killed my grandparents' -- every now and then, Angelo would mention his grandparents, the famous archaeologists, who had died in an excavation in Algeria, even before he had been born, I think -- 'Plus, it is full of rats and it stinks to piss!' 

Angelo had never been to Paris, but he was so ready to down rate the city. Having been born in Rome, where he lived for a few years of his childhood, seemed to turn him into an expert about the past. And he longed for the future. America was his destination and his destiny, and nothing would move him one inch away from his route. I mentioned Paris just that once to him, and never again.



I had been only once to Paris myself, when I was ten years old, in 1985.

Two years of permanence in France had gone by, before Celeste finally agreed to meet me. 

'Mon Dieu, Celeste! Carlo wants to take him to his family in Italy... How can I allow Laurent to see the peasant life before seeing the civilized world?' -- Catherine had complained.

Of course Celeste wouldn't come to our rural home. Though she herself had bought it for her daughter -- not because she thought it was pretty, nor a good home in a picturesque part of the country. "It's just because it's far away enough from her!", Catherine had explained once, when I had asked why did we live where we live, after mentioning that the house had been given to her.

Paris allowed me the opportunity to see my own mother in a new perspective -- that of the daughter. At her former home, she was obedient to Celeste's commands. I had wanted to go to the beach, or even to the Apennines with Carlo, but instead Catherine had taken me to Paris. I expected we would go by plane, but that is the occasion when I first learned my mother was terrified of flying. It was my first disappointment in a trip that was going to be loaded with them.

I had never been to a house so luxurious as Celeste's apartment. Everything was olden and golden and smelling to history and looking classical and outrageously expensive -- though none of that was family stuff, as I was to later discover in Catherine's "On the ex-diva's divan", my mother's greatest best-seller, yet a long way from being written.



'Is that a dinosaur's egg, grand-mère?' — of all things, I had been mesmerized by an egg that might have been a Fabergé or a Lalique; not that I knew any of them at the time. It was big, gleaming, otherworldly -- I was fascinated.   

 'Don’t ever call me grandma again! Ever!' — Celeste shrieked — ‘Do you hear me?! Not ever again in your life!' I was dumbfounded. I thought I was being formal, like Catherine had instructed me to. Other children at school called their grandmothers 'mémé'. Why couldn't I? Feeling that I was being unfairly treated I still nodded. As I assented, Celeste grew calmer, and just instructed me. 'And don’t dare touch THAT egg!’

'Don't worry, Celeste. Laurent has been warned.' — Catherine tried to calm her mother down — 'He won’t touch anything in the house. Especially not… your hair.'

'If it's not dinosaur's, I bet it's an ostrich's!' — I went on, proud of my knowledge. 

'Mon Dieu! These children from nowadays are so wild! What have you been teaching the boy anyways, Catherine?' — Celeste sounded disgusted — 'I cannot believe the poor has never seen a Fabergé before!' — she had patted my head, condescendingly -- 'This is a work of art, child.'

'At Puanouilo, Celeste?' -- my mother had intervened -- 'The only eggs he has seen were from turtles… Not even chicken's.' — Catherine turned to me — 'Be quiet, Laurent. You're embarrassing me.'

I fell silent, still considering how to snatch THAT egg from my grandmother.



'What are you staring at, little man?' -- Celeste had inquired, the single occasion Catherine and I had entered my grandmother's bedroom. And I was struck by the fact that the room where she slept was bigger than I remembered our cottage in Punaouilo being, that we had shared as a family -- 'Is there anything wrong with me?'

I had immediately averted my gaze from her, to stare at something else and marvel at every single detail of the room. The bed stood as tall as me, and it was bigger than my bathroom, with curtains hanging from as high as the ceiling, all around it (and I fantasized about closing all of them and hiding myself in there, though I never had the chance to ever again enter Celeste's bedroom in our stay). There were mirrors everywhere, reflecting the same warm tone of red with which intricate stencils adorned the walls, perfectly matching the patterns of all sophisticated cloths. Yet, my feeling was that of being inside a huge animal's mouth or maybe its stomach. The dinosaur? And Celeste seemed to have been digested and regurgitated herself -- that thought perhaps gave me the terrified look that annoyed my grandmother. That afternoon, she was getting dressed to some gala event, and she was wearing a dark patterned red long dress, with matching gloves, as if she were part of the decoration, and carefully chosen to fit in. I might have been staring at her jewelry, specially, that shone like nothing I had ever seen before, and certainly not on Catherine, who had never worn anything as fancy. I might have been asking myself the question -- if my grandmother is so rich, how could I have been so poor in my tropical childhood?



'Of course there is nothing wrong with you Celeste!' -- Catherine had answered before me -- 'Laurent is just hypnotized with your stunning looks, I am sure.'

'I can recognize an admirer when I see one, Catherine.' -- Celeste had snorted, glancing at me severely as she guided us out of her room.

Catherine was in Paris to launch one more of her novels -- that was one reason. The other, that I knew nothing about at the time, was the judicial process claiming part of the De Montbelle inheritance -- details that the two women wanted to carefully discuss, and that led to a considerable amount of money later coming to the Mortinné household. Though not the desired Chateau, that remained with Armand -- my unknown uncle, at the time. 

I had been brought along because Catherine thought it was time Celeste get to know me -- not because Celeste actually wanted to. And I guess my mother might have considered me of some use as an emotional pawn in the paternity recognition process she wanted to start. After all, I was the youngest De Montbelle heir, but the women could not agree on how and when to use me -- not that I was aware of any of that. 

What I knew is that I was not welcome at adult's events, and since both Catherine and Celeste had many appointments, I often stayed home long hours on my own. I was not allowed to talk to the maid -- Celeste had lost her long time chambermaid and felt she couldn't trust the new ones -- nor touch anything.



'Please promise me that you won't touch anything in the living room, will you Laurent? Especially not that egg, am I being clear? It is as untouchable as your grandmother's hair, do you understand me?'

I said I did, but in fact I didn't. Not that I ever broke anything in Celeste's apartment -- I was a very obedient boy, and the way I misunderstood my mother's recommendation to avoid touching anything is that I thought I couldn't even sit on the chairs and sofas, and so I spent hours reading on the floor or either in the room I shared with Catherine, where I thought I was allowed to touch at least the sofa I slept on.






There had been a problem about that before. It was one afternoon when the two women might have been talking about judicial problems, I guess. They could have done it openly in front of me, because I was unable to understand anything. Even if they had mentioned Armand and Gaston's names, I would have totally overheard them. Because I think at that point, Catherine was going for her posthumous paternity process, and the women could never agree on that matter.

I had the bad habit of sitting and placing a foot on the chair. Catherine had quarreled with me about that before; still, I kept forgetting.

'Oh mon Dieu! What do you think you are doing, Laurent?!' -- Catherine had reprimanded me.

But I hadn't heard it. I had been engrossed in entertaining thoughts about the dinosaur's egg. It was the one thing to make my grandmother and Paris special and unforgettable to me -- I never thought I'd actually see one. And of course I could understand Celeste was so nervous and careful about her rare egg.



'Laurent!' -- my grandmother had yelled at me -- 'Take off your feet from that chair! Now!'

I startled, but because I was far, lost in the  Mesozoic Era, it took me a while to follow her command. My delay caused great commotion between the two women. It was the only time I saw them raise their voices between them -- Celeste was outraged, Catherine was embarrassed, and I was in trouble. They would sometimes shout at me, but even when they were talking about urgent matters of which I knew nothing -- like the De Montbelle legacy and the Chateau's most probable destination --, they never quarreled. It was more like they battled each other with the swords of sarcasm and gird, but all was done very elegantly, because there was a subtle duel on vanity between mother and daughter, too. 

'And you too, Catherine, for that matter! Why do you have to sit on the sofa arm? Gosh, where are the civilized people in this world?' -- Celeste had taken the chance to reprimand her daughter, too.



'Maman, when will we go back home?' -- I wasn't happy at all in Paris. I missed my father, and I was bored to hell.

'Soon, darling. But I still have some appointments here. Oh Laurent, couldn't you be more considerate and helpful?' -- I knew what she was talking about. Not exactly on purpose, I had again placed my foot on the sit of an armchair while we waited for Celeste. When I realized what I had done, at Celeste's angry glance as she emerged out of her bedroom, where she had been dressing for hours -- I had frozen. My nervousness, that made me paralyze, was taken as defiance by my grandmother, and she had demanded from Catherine "How much longer do you plan to stay?"

 Catherine would no longer forgive  another fault from me, she had warned.

 'Please try to show respect to your grandmother. She is our host! She rules here, do you understand? She has been spoiled by the admiration of her fan club for decades now, and she can't bear anything less than that... Do you understand, Laurent?'



'But she treats me like a baby...' -- I had complained. Even the few toys Celeste had handed me were for babies, and probably for girls. They might have been Catherine's, I guessed, though I never asked.

'Like a baby? I don't think Celeste can treat anyone like a baby, darling, not even a proper baby...' -- and Catherine might have been opening her heart about her own upbringing, but I was not able to comprehend it then.

The first time Catherine and Celeste had taken me around Paris, they were bewildered at how confused and afraid and excited I was at seeing so many cars and the crowds of people. I had continuously stumbled against the passersby, and startled at horns of cars and the engines of the buses. Thus, I was not allowed out of the building on my own, and could only go down to the lobby and hang out there. Since I was not allowed on the apartment's balcony either, for safety reasons, at least at the ground floor I was able to glance through the windows into the street. But Celeste lived on a rather quiet and exclusive street, and there wasn't much going on outside either.



So that my Parisian experience wouldn't be thoroughly associated to confinement, Catherine did take me around Paris every few days. She had no idea what to show to a child, and she couldn't quite fathom what my interests were -- apart from the sea, at that age I might have had none. I might have wanted to meet the King of France, whomever I thought he was, probably the convergence to Charles Magne and Louis XIV or XV, but my mother told me they were dead. 

'Do you want to see their palaces, Laurent?' -- Catherine had thought of Versailles, but I wasn't enthusiastic. Why would I want to see another luxurious residence, when that was my only daily experience of  Paris?

Visiting Mademoiselle Mona Lisa had also occurred to me.

'Oh no, not that, Laurent! She is just a dwarf surrounded by a big, nervous crowd. You probably wouldn't catch a glimpse of her!'

And that's how we ended up not going anywhere in Paris. We just wandered around -- from one ice cream parlor to another, that's how I remember Paris, which was actually nice.

'Is the sea far from here? That river is going there, you know, Catherine?' -- I had learned at school that all rivers flowed to the sea, and I was fascinated with that promise. Wouldn't I reach the sea if I threw myself into the Seine? I had run along the banks for a few minutes, thinking that maybe the ocean would be after the next curve. But of course I never met it in Paris.

'Is Paris bigger than Punaouilo, maman?' -- we had been walking the whole afternoon and the city seemed to have no end, and that had been one more of my silly questions directed at my mother. To my understanding, if we had walked so much on the island of my birth, we should already have met the sea.

'Oh, mon cher, of course it is...' -- Catherine hadn't been mad at my ignorance, but heartbroken, instead -- 'Oh Laurent, I hope you will someday overcome those years wasted at that useless, uncivilized hole...' -- and I hadn't understood if she was addressing my beloved Puanouilo or our rural residence -- '... and become a citizen of the world, one day...' -- and she was really upset about it, because she had been feeling sorry for own exile in the tropics.

One event stands above all from our stay in Paris.



My mother had taken me to the carousel at the Jardin des Tuileries near the Eiffel Tower. I had never seen anything more beautiful and intriguing before. At first, I had just observed as other people were merrily riding it -- the ups and downs of the enchanted animals, the constant yet smooth going round, the dazzling lights and the joyous music were overwhelming to me. Then I had wanted to ride it myself, and after the first round I had demanded another one from Catherine.

'I want to ride on all different animals, maman, can I?'

Catherine was generous with me, and she had instructed the keeper to count the times and let me ride as much as I wanted, while she would go check on some books in a nearby store.

Riding it without my mother watching me wasn't so much fun, though -- and it even seemed dangerous. So many strangers were coming and going and addressing me, saying I was a pretty boy, patting me on the shoulder and head, or even pinching my cheeks. I wasn't used to that, and soon I was scared. But I was afraid to leave the carousel, since I did know where to search Catherine, so I kept on riding, holding onto the same horse round after round -- until I feel asleep, and the keeper had to take me off before I was catapulted off the carousel.

When I saw myself on the ground, still dizzy from sleep and so many merry go rounds, I had started crying. I was afraid -- I was afraid my mother had abandoned me, like she had before, in Punaouilo. "Where do you live? What is your address?" People tried to help, but they just scared me more with questions I did not know how to answer. How would I get home, how would I find Carlo?



I was still sobbing when Catherine finally returned. To avoid the criticism of people who were actually concerned about me, she had swiftly taken me away from the carousel. And I guess when she was about to admonish me, she realized how terrified I was, and instead she congratulated me.

'You were a wise boy, Laurent. I'd forgotten to tell you that if, in any case you get lost, don't try to search for me. Stay where you are. I'll come looking for you, do you understand? Don't move, stay wherever you are! Get it, mon cher?' 



I tried to, but I don't think I could. 

My mother was asking me to trust her? To actually believe she was always coming after me? But how long could that take? My crying in the afternoon had turned into sobbing with the night, and that carousel in Paris had taught me a lesson I wish I hadn't had to learn, ever.



I doubted, in case I'd like to move to Paris, that I would be welcome at Celeste's apartment. I had never seen her ever since, though I received a generous sum of money from her every birthday and Christmas. What if I asked her to pay for Angelo's ticket to the US? I knew we were heading towards the uncivilized world, according to her, but since we had always been living in the uncivilized world -- as she regarded whatever lay outside the bounds of her personal experience of Paris -- it didn't really seem to make any difference, did it?



Finally, the restrained intimacy that was oppressing Angelo and me, and the fights that still ensued between Edoardo and me -- there was a point when we had overcome the border of the swearing, and it was really nasty how often we called each other the worst names in Italian and French --, or even between father and son, and how that affected Angelo and me -- it made me decide for  Angelo's project of living abroad.

And when I did, Angelo was not as happy as I thought he would -- and should -- have been. He was more relieved, and a bit blasé, as if he couldn't understand why it had taken me so long to agree with him.



'Better late than early!' -- he had just commented, before kissing me. Angelo was a great kisser, passionate, and I gladly surrendered -- 'Now we have a decision, there!'

But I was still uncertain of my move. It merely seemed better than not moving at all.

But when Angelo and I communicated our decision of studying abroad to Catherine and Edoardo, things again accelerated and my choice took the feature of an irrevocable  promise to my best friend and lover.

'You are going to love it there, Laurent, you'll see!'



Yet, the only thing I could clearly see was my love for Angelo. Desperate and dependent, I was addicted to him -- and I called it love.